“Home for the Holidays ” (1995)
Film Review by Julia Dudnik-Stern
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| Claire
Danes (left) and Holly Hunter
are daughter and mother about
to part for Thanksgiving. |
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Clyde (or Claudia Larson; Holly Hunter) isn't
suffering from your garden variety "holiday
blues;" her life truly crashes on the day
she is supposed to fly back home for Thanksgiving.
For starters, she swaps a little spit with
her boss, but her embarrassment is promptly
cured by getting fired. Her 15-year-old daughter
(Claire Danes) intends to be deflowered while
mom is away, and being the emancipated divorcee
that she is, Clyde is forced to "accept" this
eventuality. Add to that a bad cold and fear
of flying, and she's ready to crack by the
time she finally boards a plane to Baltimore.
Against the backdrop of Clyde's sorry state
of affairs unfolds the rest of this two-day
plot, which is entirely about the supposedly
dysfunctional yet realistic and generally
normal, albeit somewhat exaggerated
relationships among family members. It's ironic
that the phrase "highly uneven" figures prominently
in practically every other review of this
comedy/drama. Apparently, many missed the
point; this film is as uneven as is called
for by the situation it portrays or
as uneven as life itself. Directed and produced
by Jodie Foster, "Home for the Holidays" is
segmented into titled vignettes, each dealing
with a particular relationship or situation.
Some of these are fast-paced and hilarious,
others are slow and nostalgic, but all fit
together in creating a family portrait which
we see mostly from Clyde's perspective.
All of the characters are crafted with
precision and just the right degree of eccentricity.
The not-as-clueless-as-he-appears Henry
(Charles Durning)
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| Charles
Durning and Anne Bancroft
as Henry and Adele Larson. |
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| Geraldine
Chaplin as crazy Aunt Glady. |
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| Robert
Downey Jr. as Tommy Larson. |
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and the wig-wearing-chain-smoking-always-criticizing
Adele Larson (Anne Bancroft) are the epidemy
of aging parents; they've still got that something
that binds them to each other after their
children have flown the coop. In an homage
to relativity, Clyde's two siblings place
her somewhere in the middle of the normalcy
spectrum - above her flamboyant, acerbic gay
brother and best friend Tommy (Robert Downey
Jr.) and below the stereotypical small-town
do-gooder sister Joanne (Cynthia Stevenson).
Joanne, envious of Tommy and Clyde for daring
to have their "exciting, big-city lives" and
leaving her to hold down the fort of propriety,
is complemented by the expected two children
and banker husband (Steve Guttenberg). Tommy
arrives with a mysterious companion named
Leo Fish (Dylan McDermott), the wild card
whose very presence at this gathering is curious
at best. Rounding up the party is Aunt Glady,
Adele's senile and flatulent sister.
With her Fruit Loops necklace and sporadic
moments of all-too-honest verbal diarrhea,
it is old maid Glady who puts the Thanksgiving
dinner conversation on the right track by
confessing her unrequited love for her sister's
husband after a half a century of silence.
Clyde, despite her previous protests, also
ends up spilling all about her troubles. Tommy's
big news is his recent and all-too-public-for-Joanne
gay wedding. For good measure, he also dumps
a turkey into Joanne's lap and takes a picture.
Foster directs the actors to strong performances,
although most fall short of award caliber
by varying degrees. While I'm a big fan
of Hunter and Bancroft, both are simply
competent here, as is everyone else. On
second thought, perhaps that's what one
should expect of star-studded ensemble casts.
The most surprising turn comes from Cynthia
Stevenson, known mostly for comedic and
television work (e.g., the Lifetime sitcom
"Oh Baby," 1998-2000), as the tortured Joanne,
the one truly miserable character in the
Larson clan.
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| Cynthia
Stevenson and Steve Guttenberg
as Clyde's sister Joanne
and her husband. |
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| Tommy
and Clyde (Downey Jr., Hunter)
catch up on old times in
Adele's kitchen. |
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The biggest casting mistake is clearly Steve
Guttenberg, a well-known comedian ("Three
Men and a Baby," 1987, "Police Academy," 1984,
and the sequels of both) who has recently
ventured into writing and directing with "P.S.
Your Cat Is Dead" (2002). With only a few
cliché lines, the usually light and likable
Guttenberg is grossly underutilized here as
Joanne's brain-dead husband.
"Home for the Holidays" is clearly not
without fault, but it is still a high-caliber
production. All its aspects support the
film's premise, from cinematography and
lighting (note the relatively photophobic
atmosphere of the Larson household contrasting
with brighter scenes from Clyde's and Tommy's
lives) to special effects, or, rather, lack
thereof. Costumes, seemingly unremarkable,
are quite a nice touch, from Clyde's ever-present
wool hat to Adele's hideous coat Clyde is
forced to wear while visiting and
of course, that is what she is wearing when
she bumps into some old fur-clad high-school
"friends." The script respects the staples
of family tradition; there are trips down
memory lane in the form of pictures and
videos; there is a customary fight on the
front lawn which is hosed down. Clyde's
interrupted attempt to smoke a joint in
her childhood bedroom is comically absurd.
Adele, just like every mother, knows things
about her children without being told.
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| Leo Fish (McDermott,
with Hunter) brings an element of
mystery and yes! romance
to the Larson gathering. |
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She and her husband accept Tommy's homosexuality
without openly acknowledging it, which is
quite realistic, as is Joanne's and Clyde's
inability to come to terms with each other.
"Home for the Holidays" is witty, sad,
funny, and life-affirming without
the degree of sap that normally passes for
good holiday fun. After watching it, you
might think your own family isn't so bad
or, as I did, realize exactly how
insane they are and how much you love them
despite it. Or because
of it.
Read more about the actors
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| Jodie
Foster is one of the
most enduring, talented,
intelligent, and versatile
people in Hollywood. During
a career which began when
she was only two, Foster
has proven her worth time
and again, with two Best
Actress Oscars ("The Accused,"
1988; "The Silence of the
Lambs" and a host of other
prestigious... Read
more. |
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It
is amazing that Holly
Hunter, who is among
my very short list of favorite
actors, was relatively unknown
prior to receiving an Oscar
for her portrayal of a mute
bride in the 1993 hit "The
Piano" (where she actually
performed all of the music
herself).
Read
more. |
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| Best
known for the sex symbol
that is Mrs. Robinson ("The
Graduate," 1967), Anne
Bancroft has seduced
Dustin Hoffman, the Academy,
and viewers alike for over
a half a century. Since
her debut in 1952 ("Don't
Bother to Knock"), she has
played an array of...
Read
more. |
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Robert
Downey Jr. is quite
brilliant if you
are able to overlook his
image of the ultimate Hollywood
bad boy whose exploits (from
drug use to jail time) are
splashed all over tabloids
on a regular basis. Downey
Jr. began his career with
several roles...
Read
more. |
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film images are © and property of their
respective studios.
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