“I always say, ‘Hey, don’t lie to me on your resume. If you have a special talent, I will use it.’” —Marshall

Known to most around the world as Laverne DeFazio on the beloved television comedy, "Laverne and Shirley," Penny Marshall is also one of today's more talented mainstream film directors. Born in the Bronx in 1942, Penny is the younger sister of another acclaimed mainstream director, Garry Marshall. Penny attended high school in New York before going to the University of New Mexico, where she got pregnant. Soon after, she married the baby's father — a marriage that lasted only two years. While juggling her schedule as a single mom and secretary, her brother offered her a role in his film "How Sweet It Is," starring Debbie Reynolds. The year 1971 marked a turning point for Marshall — she received her big TV break as Oscar Madison's secretary on "The Odd Couple," and married actor and director Rob Reiner (the two are now divorced). Her biggest break, however, came later, when her brother needed two women to guest star on his TV hit, "Happy Days," and gave the roles to Marshall and her then writing partner, Cindy Williams. The one-time gig turned into a long running TV series of their own ("Laverne and Shirley"). The show's run ended in 1983, and Penny turned her attention to film. Her first feature film as a director, "Jumping Jack Flash," is best forgotten, but she has more than made up for it with the films she has since directed; among them, "Big" with Tom Hanks, "Awakenings" with Robin Williams and Robert DeNiro, and "A League of Their Own."

Penny Marshall's most noteworthy accomplishment: she is the first female to direct a movie that grossed over 100 million dollars.

Awakenings (1990)

The doctor and his first success story take a stroll.
Robin Williams with another success story.
Laugh a little, cry a lot in this film based on the real-life research of author/neurologist Oliver Sacks.

Robin Williams is a new doctor in a ward full of comatose patients. When he gets permission to test a possible cure for their ailment (post-encephalitis sleep disorder), he chooses Robert DeNiro as his first guinea pig with unimaginable results.

Of course, there is an all-star cast in this film: Robin Williams, Robert DeNiro, Julie Kavner, Anne Meara. Despite the serious subject matter, Marshall's most poignant moments in the film are comedic, the genre where the director obviously feels more comfortable. This film received several Academy Award and Golden Globe nominations.


 

A League of Their Own (1992)

"All the Way May" and Rosie O'Donnell.
Photos © Columbia Pictures

Tom Hanks and Gina Davis give signals to the batter.
"A League of their Own" is Penny Marshall's most noteworthy film — both for its box-office success and its critical acclaim. The second world war has begun, and many of the major league baseball players have been drafted into the military. Sensing the loss of profits, baseball owners create the All-American Girls Baseball League, recruiting women from kitchens all across the US and Canada. As the films begins, it is the 1990s and the Baseball Hall of Fame is dedicating a wing to the all-female league. The story is told in one long flashback that takes us back to the league's inaugural year. Two talented sisters (Gina Davis, Lori Petty) are plucked — literally — from the farm and given the opportunity to establish themselves as bonafide baseball players, with the public and each other. This film features that famous Marshall trademark the all-star — cast. Along with Davis and Petty, A League of Their Own also stars Madonna, Tom Hanks, and Rosie O'Donnell. The film has had long term appeal among both men and women. Almost ten years later, not a day goes by that someone doesn't refer to me as — "All The Way, May." Thanks, Penny!

 

 

Renaissance Man (1994)

Ragu and his ne'er-do-well pupils.
Ragu asking himself, "what am I doing here?"
Danny DeVito plays Bill Ragu, an advertising exec who is fired from his job. As a condition of his unemployment insurance, Ragu agrees to accept ANY jobs that his unemployment counselor might find for him. And, she does — teaching thinking skills to a class of Army recruits. Ragu must contend with teaching students who would much rather learn to use an AK-47 than read Shakespeare. He also has to learn how to maneuver through Army regulations. Eventually, he does both in this cross between Private Benjamin and Dead Poet's Society, and learns a little something about himself in the process.

The film is cute, not AMAZING! Like many Penny Marshall films, the cast is chock-full of well-known actors (Mark Wahlberg, Gregory Hines, Cliff Robertson), although in significantly smaller and less powerful roles than we are accustomed to seeing.

 

Riding In Cars With Boys (2001)

Not the way most parents want to see their daughter's get engaged.
Photos © Columbia Pictures
Babies raising babies: A young Beverly with her young son.
"Riding in Cars with Boys" is Marshall's latest release. The film is based on the autobiographical novel by Beverly D'Onofrio, and tells the story of a 15 year old girl, with dreams of becoming a writer, who gets pregnant and is forced to grow up and put her own life on hold to take care of her child. Told in flashback, the film touchingly goes through Beverly's failed marriage attempt with the child's drug-addicted father.

Riding in Cars' star-studded cast includes Drew Barrymore, Steven Zahn, James Woods, Lorraine Bracco and Brittney Murphy. The script is witty and humorous where it needs to be, considering the all-too-serious subject matter. It's not what the audience sees that gives me pause, however. It's what you don't see. Most of the film's 132 minutes are spent on Beverly between the ages of 15 and 22. The audience never gets to see how Beverly was able to pull herself out of her situation and write the book she always dreamed of writing. Having never read the novel the film is based on, I do not know if that is an ommission of the scriptwriter or the novelist. Ultimately, it doesn't really matter.

 

 

Top image of "Penny Marshall," © from the film "Riding in Cars with Boys"

+ summary and film synopses by May Seckular

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