“I consider myself a minor poet who writes fairly small poems. I’d rather make a movie about a guy walking his dog than about the emperor of China.” —Jarmusch

Jim Jarmusch was born on January 22, 1953, in Akron, Ohio. After graduating from Cayahoga Falls High School in 1971, Jarmusch went directly to Northwestern University, where he majored in Journalism, and then English Literature. He then went to study in Paris, and fell in love with French cinematic style. Upon his return one year later, Jarmusch received a BA in English Literature from Columbia University. Following his graduation, he enrolled in the Tisch School of the Arts in New York City to study film.

While in New York, Jarmusch got a position as teacher's assistant to director Nicholas Ray (Rebel Without a Cause) at NYU. The two became close friends, with Ray assisting Jarmusch on his first feature length film, Permanent Vacation. While at the school, Jarmusch created a 30 minute short film, called "New World," which was later expanded into the feature "Stranger Than Paradise." The film won him Best New Director at Cannes, and received a lot of favorable attention from the media.

In addition to his directing credits, Jarmusch writes all of his own scripts, and occasionally plays cameo roles in films by other directors. Many of his plots portray the world as we know it in America as seen by outsiders: a Hungarian in "Stranger Than Paradise;" Japanese couple in "Mystery Train." Another theme of his films is the impact accidental encounters have on the lives of his characters.

Stranger Than Paradise (1984)

Willie, Eddie, and Eva look for the lives they can't find in New York.
Pondering one's existence can get overbearing when you realize you are your own worst enemy.
"Stranger Than Paradise" is the story of three New Yorkers who decide to leave their boring lives to embark on a search for something better. The film that effectively launched Jarmusch's career, this film is a black comedy for the slacker generation.

Musician Willie, played by John Lurie, enlists his best friend, Eddie (Richard Edson) and cousin Eva (Eszter Balint) for the journey to paradise, aka Florida. When they reach their destination, there amid the palm trees and bright sunshine, they discover the real roadblock that prevents them from happiness - themselves. The New York Times called this film one of the most "original, wonderful, oddball, independent, American films." Among its many honors, "Stranger Than Paradise" won the Camera d'Or for Best Film Feature at the 1984 Cannes Film Festival.

 

Down By Law (1986)

Jail makes for strange bedfellows in Jarmusch's Down By Law.

Yes, that is Ellen Barkin making an appearance in the film.
What would happen if you combined two petty thiefs with an Italian tourist in a jail cell in New Orleans? You would get "Down By Law," an ironic and witty Jarmusch film starring John Lurie, Tom Waits and Roberto Benigni. Using black and white film, we watch as these three odd characters escape from jail together into the swamps of New Orleans.

While there have been similar Hollywood prison flicks, the combination of these three characters with Jarmusch's particular bizarre slant, makes for a funny, and surprisingly moving film.

 

Mystery Train (1989)

A Japanese couple comes to Memphis in search of Carl Perkins.
They look so peaceful, don't they?
A Japanese couple with an obsession with 50's America go to Memphis, hometown of Elvis Presley. A combination of chance encounters interweave three different stories in the city, the common thread being the seedy hotel where they all are staying. Named for an Elvis Presley hit, "Mystery Train" is a black comedy, like much of Jarmusch's work. This film won the award for Best Artistic Contribution at Cannes. Unlike most films, the night scenes in Mystery Train are actually filmed at night, including the interior shots.

 

Ghost Dog: The Way of the Samurai (1999)

Forest Whitaker as Ghost Dog. Photos © Artisan Entertainment
Here's something you dont see everyday...a black man on a rooftop in the city wielding a samurai's sword.
Forest Whitaker is "Ghost Dog," professional killer who lives by the code of the Samurai in this East meets West movie of the same name. "Ghost Dog" is an African-American contract killer who owes a debt of gratitude to a mobster for saving his life as a youth. When Ghost Dog runs into trouble with the Mafia chieftain, and must take action, his allegiances and his adherence to the samurai code further complicate his situation. Much of the film is taken up with nighttime shots of "Ghost Dog" driving stolen cars through city streets, listening to music on CD players. Would anyone believe me if I said this movie was funny? Okay, it's not fall-of-your-chair-laughing funny, but it's a typical Jarmusch dark comedy, complete with wit and satire (an urban black killer who lives by the code of the samurai?)

 

 

 

 

 

 

Top image of "Jim Jarmusch" © Christopher Felver

+ summary and film synopses by May Seckular

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