Director’s Note:

Director Ian Inaba shooting the Eminem video.
“Most Americans are well aware that in 2000, the presidential election was decided by 537 votes. From hanging chads to the hourly updates of the manual recount, this story was obsessively covered by the mainstream press. However, what wasn’t covered was what journalist Greg Palast discovered that thousands of primarily minority voters were scrubbed from the voter registry in Florida and prevented from potentially changing the course of America’s turbulent last four years.

By the spring of 2004 all around the country, groups from both sides of the aisle were organizing and activating plans to impact the coming presidential election from MoveOn to Swift Boat Veterans for Truth. Here at GNN we were finishing our book, True Lies, two related documentary projects and barely had enough time for our own attempt of an online voter registration campaign. Through Palast’s reporting and our own investigations into electronic voting machines and the crossover campaign that defeated Congresswoman Cynthia McKinney, we became increasingly aware of the fallibility of elections and the fragile state of America’s most fundamental democratic process. We also knew the potential power of the youth vote. With more than 55 million voters between the ages of 18 and 35, this demographic group accounts for 36% of the total eligible voters in the U.S. And as witnessed in 2000 it all comes down to who shows up to vote on election day.

So on the eve of one of the most spirited elections in recent times, it’s time to try and turn out the vote. As a music video director, ideas for videos usually come independent of the song and are then adapted to fit the timing and lyrics of the featured track. I initially developed a concept for this video in June 2004 and contacted Interscope shortly after to find out what artists in their roster would be releasing albums near the election. The goal was to make a video that inspired young people to vote because they too often disregard it as a powerless exercise. To show them that political decisions do impact their daily lives and that voting is the most powerful act we all have to voice our opinion and effect change. And to educate and reiterate the point that whether or not people want to accept it, there are forces in play that attempt to suppress the youth and minority vote.

When I got the callback that our favorite conspirator of controversy, Eminem would be releasing an album in November, I knew we had the potential to say something that would be heard by the masses. And after hearing the song later that month it seemed Mr. Mathers had also been in the lab concocting his own plans for the election and it was precisely the anthem I had been looking for. So with less than six weeks to deliver we put together a team and forgot about what it meant to sleep. In order to produce animation for a song that runs 5:20 in just over 5 weeks we were going to need a lot of green tea and mate and a little help from Marshall himself. This video was made possible by a team of artists who came together inspired by a song and video that might be able to effect the next four years of all of our lives.

Two years ago, this video would not have been approved by a single record label. A year ago it would never had the possibility of being played on television. But with the changing tide of public sentiment marked by the success of our last video for Chronic Future, an anti-war message that made it into rotation on TRL we think it might just have a chance.

Now, it’s up to the broadcasters. Will they ban the top selling musical artist for being anti-establishment while they allow other propaganda to air? Or will they finally allow an artist who has the courage to speak out to take center stage and utilize the airwaves for something other than typical celebrity fodder?” [1]

Ian Inaba directs Eminem’s “Mosh” Music Video
An Interview by Adriana de Barros

Cartoon Eminem sings to the mosh crowd in Inaba’s video creation.
+ View video: QuickTime, Windows Media, Real.

360: First, I am curious to know how the video project “Mosh” took way, how you became the director and producer of it?

Ian Inaba: Fellow GNN director Stephen Marshall and I were given the opportunity to work with Eminem on his previous album, The Eminem Show. I produced and Stephen directed the animated video for White America. We then provided tour visuals for Eminem’s past two Summer tours. As Stephen moved into feature films, I continued to make music videos, directing an animated video for Chronic Future in the Spring of 2004.

In July, a month after finishing the Chronic Future video I had a concept for a video I wanted to do to encourage young people to vote in the upcoming presidential election. I contacted the label, pitched the concept, submitted a treatment and asked who would be releasing an album around the election. I didn’t hear back for weeks and was beginning to think it was going to be just another missed opportunity. Then in August, I finally got a call back, they said they think they might have a fit for the video concept and I once again caught hope for the project. Then they told me the artist was Eminem and the song was called Mosh. Without having heard the song, I knew this was going to be able to reach the masses, but with less than three months til the election we were running out of time. Because of the security around Eminem’s music due to piracy, I wasn’t allowed to listen to the song until the beginning of September. And even then we were not allowed to take the music home with us, only the words and a loop of the beat. So with less than 7 weeks to go we assembled a team and began animating as if the future of the world depended on it. We trained ourselves to live on 3 hrs of sleep and found a render farm in Alabama where we could rent 400 machines by the minute over the internet with a credit card. Half way through we needed more artists so we posted an ad on the internet and scoured the web for great animators. With a month to go we added the needed additional artists who contributed to the mix of styles. The geographically dispersed team, located in Berkeley, Ca, Torrence, Ca, Venice, Ca, Brooklyn, NY, Queens, Ny created Mosh, 5 and a half minutes of hi-res, broadcast ready animation in just about six weeks.

Top: Television news images of President Bush were used for the video. Bottom: Cartoon Eminem lines up to vote in the US elections on November 2nd, 2004.
360: I know the video was targeted for a young audience (ages from 18 to 35), which is about 36% of the total eligible voters in the United States. Why do you think many of these citizens have been uninterested in voting?

I: I think there are a few reasons young people feel disconnected from the political process. First, most young people don’t follow the news which means many of them aren’t tied into the mainstream mindset of the country. So, many are simply uninterested because it is not a part of their world, or on the other side of the spectrum there are young people who are aware of the corporate control and corruption of the government in the United States and therefore opt out because they don’t want to have anything to do with the system.

360: The video attempts to encourage electorates, but it isn’t a neutral political statement — it is an anti-Bush movement. Why would you and Eminem risk influencing viewers?

I: I can’t speak for Eminem, but my intention was not to make a pro-Kerry video, instead it was to show young people that they can question and challenge power, no matter who is in office.

360: Well, we now know who won the US election (2004). Are you heartbroken?

I: For a week or so I was, but I’m not sure we really know exactly what went down in this election. One of my GNN partners and I were down in Atlanta filming for my documentary project on election day. When they finally announced the results early the next morning, we looked at each other and said, “Four more years…of dissent.”

An image from the new post-election version of the “Mosh” video. John Kerry and John Edwards cry over their party’s loss. + View more stills
360: With the international and national Anti-War in Iraq campaigns, among the debates over many of President Bush’s political actions, why do you think he still won?

I: From a high level, unfortunately but predictably, love won out over hate. The people who voted for Bush went out to the polls to vote for their candidate. I think a lot of people who voted for Kerry were voting out of hate for Bush. And negativity is never a good way to accomplish anything. But like I said before, I don’t think we know what really went down on election day and probably wont for some time.

360: Do you think/or know if the national news media has omitted information from being broadcast to US citizens? Are people aware of what has been going on, or are they getting bits and pieces throughout time?

I: Not sure what you mean by this… See our book True Lies. Stories are omitted all the time but for different reasons.

360: I’m not sure if this is relevant, but in the scenes where we see Eminem wearing a suit with a red tie preaching to the masses, is this in any way influenced from Martin Luther King Jr.? He also puts his fist in the air, is this connected with the black power statement from the Olympic Games in 1968?

I: There were many elements in the video influenced by the Black Power and Civil Rights Movement. I wanted to try and reference these things so that young people today could learn from our past in the US and be aware that the struggle continues.

360: Eminem has been a controversial rapper since day one. He’s a love/hate celebrity, who has gone to the full extent of negatively criticizing most things and people in society, in his music. Controversy does sell, even if at times we like it or not. How is this video different than his others? Why would anyone take him seriously, and not think it is another way to sell an album?

I: Some people did think this was just another clever way to sell an album. But most people really felt inspired by the video and Eminem’s bravery to speak out so boldly at such a critical time in our history.

Graphics and Animation

360: Mosh is a very stunning piece, congratulations. Who decided on the video’s storyline and visual style (was it all your idea)?

I: I wrote the treatment and defined the visual style along with my two main animators, Anson Vogt of phong.com and Haik Hoisington of blackmustache.com. This is the third music video we have worked on together.

360: What led you to doing an almost all cartoon video?

I: There are many things you can do in animation that would be too expensive or impossible to do in video. For example in our second ending to the piece, I don’t think they would have allowed us to actually storm congress in black hoodies. It also, has allowed us to integrate scenes from iraq in our last two video projects.

360: In our Scene 360 news column, we had a post about “Mosh” and Thomas Brodahl’s involvement in the illustration design. I spoke with Thomas (who I have known for some years online); he explained that he did a small part in comparison to other team designers. How did you meet Thomas, and what was his full contribution to the video?

I: Thomas is part of Stolen who are the team developing the new GNN.tv. We met him and his partner Jessey White-Cinis in London last Summer when we were shooting for a documentary project.

360: What computer software was used?

I: Illlustrator
PhotoShop
Flash
AfterEffects
3D Studio Max
Final Cut Pro

Rapper Eminem was filmed on a green screen, this footage served as basis for cartoon drawing for the video.
+ View behind the scenes images
360: Whose idea was it for the emblematic use of black hooded sweatshirts? Were you aware that it impacted some of the MTV viewers, who wore hoods to show support on Election Day?

I wanted to utilize the black hoodie because it has significance to both the anarchist and hip hop communities and also serves as the great equalizer. It also worked well to merge the video footage of Eminem with the other animated characters. Yes, I heard anecdotally that people were spotted voting in their black hoodies on Nov. 2nd.

The Alternative News Network

360: I saw “Mosh” featured in Michael Moore’s official website. I am sure he is fully aware of your online project GNN (Guerrilla News Network; an alternative press “that creates cutting-edge documentary news videos in collaboration with musical artists and DJs”). Has he ever commented to you directed about your site? And are you an admirer of Moore’s work?

I: I had the opportunity to meet Michael at the Mill Valley Film Festival where he premiered Bowling for Columbine. Yes I am a fan of his work and yes we have heard compliments back from him about our work as well.

360: With your opinionated work on GNN, have you ever received any threats to not publish or create something? Is yes, what happened?

I: We do receive letters to remove certain things from our site but they are typically content that has been posted by other users. Usually it has to do with the publishing of someone’s personal information or a statement that someone construes as slander or libel.

360: What are some of the positive results you’ve witnessed from launching GNN?

I: We have built an incredible community of information and knowledge seekers on GNN. It has inspired others begin creating videos and writing articles in hopes of distributing information that would otherwise go untold.

360: Is there anything I didn’t ask, that you’d like to share to our readers?

I: Our next stage of GNN is to open it up to the public. You can already come to GNN.tv and create a blog as well as post news stories and vote on what should be on the home page. Soon you will be able to join an active investigations where users collaborate on discovering and reporting information. Our mission is to put the news reporting and dissemination process back into the hands of the people. We can no longer rely on corporate news outlets to keep us informed. The have failed us miserably particularly since 9/11. It’s time to get involved in the news revolution, come and join us at gnn.tv.


Credits: [1] Inaba, Ian. “Eminem’s Mosh.” www.gnn.tv; Oct 2004.

+ interview by Adriana de Barros, about the author
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